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| Transformers - Transformers Theme SongWed, 07 Jan 2009 12:59:08 -0800 by cultureclub80Like the title says,I wanted to download and see what would be the sound of my new movie maker.The sound is better on my new one than on window movie maker.So enjoy this amazing track=).Here's the sixth song of the amazing original motion picture soundtrack of Transformers:The Movie in 1986 produced by Vince DiCola.This song is performed by Lion.«The producers of Transformers The Movie first approached me in early 1986.They were familiar with some of my previous film scores and felt my composing style would be efective for their new Transformers animated film.Up until that point,I had very little knowledge of Transformers,other than being vaguely aware of the toy line.I was honored by their enthusiasm for my music and accepted their offer to score the movie.From the beginning,I found this to be a very challenging project.The first surprise was realizing that about 75 minutes worth of music would be required.This amount of music is not particularly uncommon for a full lenght animated film,but was certainly more than I had ever been asked to produce for one movie.Another surprise nearly threw me into a panic mode.I was told that I would be writing most of the music not to picture,as is usually the case,but to ''Storyboards'',whic h is far from the norm.I traded in my initial shock for more of a can-do attitude and told the director and producers,''Oh sure,no problem at all...I can do that!''Thanks to the help of a great team of people,including fellow producer Ed Frugé,engineer Tony Papa and all the great musicians who played on the soundtrack,I was able to create a score that I continue to be proud of and one that I believe holds up quite well after all these years.One of the more pleasant aspects of this project was the evident trust that the producers and director had in my ability.This allowed me the freedom to write,play and produce music without their constant oversight.I assumed that when the score was finished and the film released,my involvement with Transformers had come to and end.But,a few years later,Iwas approached by Glen Hallit,the executive producer of the Transformers convention known as ''BotCon'',who asked me to appear as a special guest at the convention in Rochester,NY the following year.I had a hard time believing that there was much interest left in Transformers.Just out of curiosity,I accepted the invitation.When I arrived,I was totally amazed that,even years after the movie release,Transformers was still so popular that it attracted thousands of fans to this convention!Glen had another revelation for me.Not only was there a tremendous amount of interest in the Transformers franchise in general,but there was still a huge amount of interest in the 1986 movie,and more specifically,my score!I had never performed for such and enthusiastic audience.Because of that first experience,I have appeared at several more Transformers conventions over the years,but that first one in 1997 really holds a special place in my heart.It is so gratifying to see that my contribution to Transformers The Movie has continued to hold such value for so many fans,for so long.I'm very pleased that SONY BMG MUSIC ENTERTAINMENT has asked me to be involved in this reissue of the original soundtrack.I'm also quite honored that four new pieces of music from my original score are being added as bonus tracks.Special thanks goes to Glen Hallit for years of service to the wonderful legion of Transformers fans and for keeping the culture alive.And a very special personal thanks to all my fans for your continued support and encouragement.This has been quite a ride!»Vince DiCola(April,2007)Ly rics:Something evil's watching over youComin' from the sky aboveAnd there's nothing you can doPrepare to strikeThere'll be no place to runWhen your caught within the gripOf the evil UnicronTransformersM ore than meets the eyeTransformersRobot s in DisguiseStrong enough to break the bravest heartSo we have to pull togetherWe can't stay worlds apartTo stand divided we will surely fallUntil our darkest hourWhen the light will save us allTransformersMore than meets the eyeTransformersRobot s in DisguiseTransformers Autobots wage their BattleTo destroy the evil forcesOf the DecepticonsIt's judgment day and now we've made our standAnd now the powers of darknessHave been driven from our landThe Battle's over but the war has just begunAnd this way it will remain til the day when all are oneTransformersTrans formersTransformersT ransformersMore than meets the eye Related: the transformers theme vince dicola movie 1986 film stan bush n.r.g. spectre general lion weird al yankovic optimus prime megatron autobots decepticons unicron bumblebee ratchet ironhide prowl brawn windcharger wheeljack starscream galvatron cyclonus scourge hot rod ultra magnus arcee springer kup blurr cultureclub80 | |
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| Frank frost - 1966 Soul Cargo Vol 3 My back scratcherWed, 07 Jan 2009 12:56:57 -0800 by 5121949Frank Frost (Born April 15, 1936 in Auvergne, Arkansas; Died October 12, 1999 (aged 63) in Helena, Arkansas) was one of the foremost Delta blues harmonica players of his generation.Frosts first exposure to music came as a young boy when he learned to play the piano for the choir in his familys church. Frost moved to Saint Louis, Missouri when he was 15 and began his musical career as a guitarist. He toured in 1954 with drummer Sam Carr and Mr. Carrs father, Robert Nighthawk. Soon after, he spent several years touring with Sonny Boy Williamson, who helped teach him to play harmonica. After a hand injury, Frost turned his attention to the harmonica and piano.Around 1960, Frost moved with Carr to the Mississippi Delta. After he played a show with the guitarist Big Jack Johnson, they added him to their group. Together they attracted the interest of the producer Sam Phillips, who years earlier had overseen Elvis Presleys first recording sessions. He produced Hey Boss Man for Phillips International in 1962, with blues hybrids like Franks Jump showing off Frosts diverse, intensely melodic harmonica solos. Presleys guitarist, Scotty Moore, produced Frosts next album in Nashville, Tennessee.In the late 1970s, Frost was re-discovered by a blues enthusiast, Michael Frank, who began releasing albums on his Earwig Music Company label by the trio, now called the Jelly Roll Kings after a song from Hey Boss Man.Over the years, cigarettes and alcohol wore Frost down but he continued to record, tour and diversify his repertory, appearing in the films Deep Blues: A Musical Pilgrimage to the Crossroads and Crossroads. Related: soul cargo | |
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| LBP Online 001- Sloth's Temple (Lord Sloth)Wed, 07 Jan 2009 12:52:48 -0800 by JohnnyDFoxThis is the first of the many user created LBP levels I'm recording.It's made by Lord_Sloth and my thoughts are that it's pretty basic and empty. Then again I hear it was done during the beta so that might be a good excuse.One pretty good improvement would be making that cart reset. You can see I just skipped the respawn point on top of that "lift", but it's not because I didn't know about, but because it's pretty much useless. Once the cart is gone and you die, you can't really continue unless there's another route I missed. Even if you jump back where the cart was, you can't advance anymore, so you're forced to restart the level anyway.http://www.jo hnnydfox.comhttp://w ww.stumpedgamer.com Related: littlebigplanet little big planet online user created custom level walkthrough media molecule sony ps3 sackboy | |
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| Build An Ark - Love, Sweet Like Sugar CaneWed, 07 Jan 2009 12:48:34 -0800 by oporopolistFrom the album Dawn (2007)Bass - Nick RosenCello - Peter JacobsonDrums - Harris EisenstadtGuitar - Damon AaronHarp - Rebekah RaffLyrics By - Big BlackMusic By - Big BlackPiano - Nate MorganShaker - Alan LightnerViola - Miguel Atwood-FergusonVocal s - Big Black "When Build an Ark, the fine multi-generational, transcultural, multi-disciplinary Los Angeles jazz and soul musician's collective, released Peace with Every Step back in 2004, it got notices overseas and in the home territories on the West Coast, but by and large it entered a void. Those who did hear it were struck by its originality, warmth, emotion, and sophistication; those who didn't missed out. Luckily that set, released on the tiny Kindred Spirit imprint, wasn't a one-off. Dawn is the group's sophomore full-length on the excellent Shaman's Work label. Co-founded and directed by Carlos Niño and Adam Rudolph, the collective hasn't lost any of its core members, and if anything is larger, it's the talent in the lineup, which contains some ace veterans in Rudolph, spiritual jazz vocalist Dwight Trible, and trombonist Phil Ranelin, violist, composer, and arranger Miguel Atwood-Ferguson, Niño, drummers Alan Lightner, Dexter Story, and Harris Eisenstadt, percussionists Derf Reklaw-Raheem and Andres Renteria (in addition to Rudolph), bassists Trevor Ware (bowed), Nick Rosen and Nedra Wheeler, percussionist, saxophonist and flutist Joshua Spiegelman, guitarist Damon Aaron, percussionist Munyungo Jackson, harpist Rebekah Raff, bassoonist Sara Schoenbeck, pianist and Wurlitzer organist Nate Morgan, cellist Peter Jacobson, and vocalists Gaby Hernandez, Sheila Govindarajan, and Tracey Hart. What do they sound like? Like the title of the album, the first kiss of the sun as it emerges from the night sky. They owe the great spiritual jazz traditions built by labels like Tribe, Strata East, and Impulse, but they sound like no one but themselves. Though many of these players come from outside the jazz tradition, and indeed those from it come from the outer edges like Trible, who was with Archie Shepp and Horace Tapscott, and Ranelin, a co-founder of Tribe and session man extraordinaire. That said, this music is decidedly inside. It's inside the human heart whether they are performing Pharoah Sanders' "Healing Song" or Atwood-Ferguson's "Morning Glory." Vocalists, pianos, bass, percussion, guitars, harps, and the like function as a whole. This is not a blowing session with the individual members investigating the outer realms and their own virtuosity at exploring it. This is a band that plays like a band and explores interiors, the inside spaces in the mind and heart and breath. The music is gentle but far from sleepy. It is loaded with glorious energy, percolating, swinging, moving, breathing, and finger-popping grooves. Check the gorgeous bluesy entrance of "In Her Smile" written by Rosen, where Jacobson's cello and Atwood-Ferguson's viola play counter harmony, and Joey Dosik's alto evokes the smoky sound of Ben Webster's tenor as a melody unfolds itself in the center. OnSanders' "You Yourself Are the Key to the Universe," Atwood-Ferguson's viola and Spiegelman's flutes hover through Ware's bowed bass, Rosen's pizzicato bass, and Jacobson's cello as Story holds all that low end in the grip of his brushes and it all begins to hover before moving into space."continue: http://allmusic.com/ cg/amg.dll?p=amg&sql =10:a9fuxz9hldke~T1 Related: build an ark big black jazz soul | |
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| how to download games audio video aplications and otherWed, 07 Jan 2009 12:45:12 -0800 by agro1997READ THE DESCRIPTIONhi i am gona show u how todownload games aplications music and other firs you needto download Utorrent i will giveyou a link to downloaded ti faster here you go http://forum.utorren t.com/viewtopic.php? id=47309when you go there just do thiswatch i will not download because i alredy got it ok lats continuewhen you download utorrent goto the thepiratebay.orgthen chose what you wont to download example(games,music, aplications,audio,vi deo and all)ok when do you chose type name of that thing what you wont to download and click Pirate search or just press enter when do you do that just find iti whill show you its easy but if you wont to download example(Crysis) you need to find only Crysis because everything else is some update for Crysis or something else ok watch me how i am doing that what am i tell youwhen do you found name Crysis press on it and then press on DOWNLOAD THIS TORRENT click on the first not on the second when did you do that it whill download torrent andyou just do this watch that whill be all thanks for watch RATE this video PLEASE Related: how to download games audio video aplications and other | |
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| Sara Bareilles - Little Voice - 07 Between The LinesWed, 07 Jan 2009 12:45:00 -0800 by musicsourceonSara Bareilles - Little Voice07. Between The LinesLYRICS:Time to tell me the truthTo burden your mouth for what you sayNo pieces of paper in the wayCause i cant continue pretending to chooseThe opposite sides on which we fallThe loving you laters if at allNo right minds could wrong be this many timesMy memory is cruelIm queen of attention to detailsDefending intentions if he failsUntil now, he told me her nameIt sounded familiar in a wayI could have sworn i'd heard him say it ten thousand timesIf only i had been listeningLeave unsaid unspokenEyes wide shut unopenedYou and meAlways between the linesBetween the linesI thought i thought i was ready to bleedThat we'd move from the shadows on the wallAnd stand in the center of it allToo late two choices to stay or to leaveMine was so easy to uncoverHe'd already left with the otherSo i've learned to listen through silenceLeave unsaid unspokenEyes wide shut unopenedYou and me beYou and me always beI tell myself all the words he surely meant to sayI'll talk until the conversation doesn't stay onWait for me i'm almost readyWhen he meant let goLeave unsaid unspokenEyes wide shut unopenedYou and meAlways beYou and meAlways between the lines Related: sara bareilles | |
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| Build An Ark - Morning GloryWed, 07 Jan 2009 12:43:43 -0800 by oporopolistFrom the album Dawn (2007)Arranged By - Carlos Niño , Mark MaxwellBass - Nedra WheelerCello - Peter JacobsonDrums - Dexter StoryGuitar - Damon Aaron , Mark MaxwellLyrics By - Mark MaxwellMusic By - Mark MaxwellPiano - Nate MorganSaxophone [Tenor] - Joshua SpiegelmanTrombone - Phil RanelinViola - Miguel Atwood-FergusonVocal s - Angela Estrada , Dwight Trible , Gaby Hernandez , Sheila Govindarajan , Tracey Hart"When Build an Ark, the fine multi-generational, transcultural, multi-disciplinary Los Angeles jazz and soul musician's collective, released Peace with Every Step back in 2004, it got notices overseas and in the home territories on the West Coast, but by and large it entered a void. Those who did hear it were struck by its originality, warmth, emotion, and sophistication; those who didn't missed out. Luckily that set, released on the tiny Kindred Spirit imprint, wasn't a one-off. Dawn is the group's sophomore full-length on the excellent Shaman's Work label. Co-founded and directed by Carlos Niño and Adam Rudolph, the collective hasn't lost any of its core members, and if anything is larger, it's the talent in the lineup, which contains some ace veterans in Rudolph, spiritual jazz vocalist Dwight Trible, and trombonist Phil Ranelin, violist, composer, and arranger Miguel Atwood-Ferguson, Niño, drummers Alan Lightner, Dexter Story, and Harris Eisenstadt, percussionists Derf Reklaw-Raheem and Andres Renteria (in addition to Rudolph), bassists Trevor Ware (bowed), Nick Rosen and Nedra Wheeler, percussionist, saxophonist and flutist Joshua Spiegelman, guitarist Damon Aaron, percussionist Munyungo Jackson, harpist Rebekah Raff, bassoonist Sara Schoenbeck, pianist and Wurlitzer organist Nate Morgan, cellist Peter Jacobson, and vocalists Gaby Hernandez, Sheila Govindarajan, and Tracey Hart. What do they sound like? Like the title of the album, the first kiss of the sun as it emerges from the night sky. They owe the great spiritual jazz traditions built by labels like Tribe, Strata East, and Impulse, but they sound like no one but themselves. Though many of these players come from outside the jazz tradition, and indeed those from it come from the outer edges like Trible, who was with Archie Shepp and Horace Tapscott, and Ranelin, a co-founder of Tribe and session man extraordinaire. That said, this music is decidedly inside. It's inside the human heart whether they are performing Pharoah Sanders' "Healing Song" or Atwood-Ferguson's "Morning Glory." Vocalists, pianos, bass, percussion, guitars, harps, and the like function as a whole. This is not a blowing session with the individual members investigating the outer realms and their own virtuosity at exploring it. This is a band that plays like a band and explores interiors, the inside spaces in the mind and heart and breath. The music is gentle but far from sleepy. It is loaded with glorious energy, percolating, swinging, moving, breathing, and finger-popping grooves. Check the gorgeous bluesy entrance of "In Her Smile" written by Rosen, where Jacobson's cello and Atwood-Ferguson's viola play counter harmony, and Joey Dosik's alto evokes the smoky sound of Ben Webster's tenor as a melody unfolds itself in the center. OnSanders' "You Yourself Are the Key to the Universe," Atwood-Ferguson's viola and Spiegelman's flutes hover through Ware's bowed bass, Rosen's pizzicato bass, and Jacobson's cello as Story holds all that low end in the grip of his brushes and it all begins to hover before moving into space."continue: http://allmusic.com/ cg/amg.dll?p=amg&sql =10:a9fuxz9hldke~T1 Related: build an ark dwight trible jazz soul | |
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| My Immortal - HPWed, 07 Jan 2009 12:42:55 -0800 by winterXphoenixHarry is in the minstry of magic where Ron and Hermione die during the fight. (sirius lives btw! woop woop)Harry runs after bellatrix who told the death eaters to kill them. (things continue as normal)Harry thinks back to whn Ron aand hermione are alive....he gets possesed....he sees his best friends spirits/ghosts and asks Voldemort to kill him (which really Voldemort killed hiself because harry's a horcrux and Dumbledore had killed off all the others...)so he dies and reunites with his best friends once again.**I do not own anything used in the making of my videos. All songs and videos used belong to their respective owners.** Related: my immortal - hp | |
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| Rockport Public Schools Strings ProgramWed, 07 Jan 2009 12:41:42 -0800 by bassrockstechThe Educational Foundation for Rockport has funded the Strings Program since its founding in 2004. The future for the program looks bright. There are students enrolled from fourth grade on, with 36 students in Elementary School, 22 in the Middle School, and 8 in the High School. If support for this program continues, by 2014 the High School Orchestra should have at least 60 members. The program hopes to continue benefiting from a funding partnership between the Foundation and the Rockport Chamber Music Festival. Related: "rockport ed foundation" "educational foundation" rockport strings music | |
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| Pokemon Emerald Walkthrough Part 22:Route 114Wed, 07 Jan 2009 12:34:42 -0800 by prinoftherngPrinoftherng plays through the American version of Pokemon EmeraldThis is part 22 of a continuous series.In this episode,Aaron goes through route 114.Will he be able to get through there okay?Watch and find out.If you have any questions about the walkthrough,just ask and i'll be happy to answer.I forgot to tell you in part 21,Sorry about the convenience of 2008. Now I owe you the videos now of 2009. Related: pokemon ruby sapphire emerald rayquaza kyogre groudon | |
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| Decode - NarutoWed, 07 Jan 2009 12:32:42 -0800 by hermionefan3READ FIRST!!!I have no affiliation with Mashishi Kishimoto, I do not own Naruto, I am not a part of Paramore, I am not affiliated with Paramore, I do not own Paramore, and I do not own the song Decode by Paramore.THE SONG IS DECODE BY PARAMORE, SO DON'T ASK.Sorry, it was originally a SasuSaku video (as you can tell from the beginning), but I didn't have enough clips of them to continue. And sorry you can see a part of YouTube on some of the clips, that's how I get them, I record them off of YouTube with HyperCam.Also: THIS VIDEO IS COPYRIGHTED BY ME. IF YOU SEE ANYONE CLAIMING THIS AS THEIRS, LET ME KNOW IMMEDIATELY. Related: naruto paramore decode twilight mashishi kishimoto uzumaki music video | |
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